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This morning (June 14), Xinjiang film workers made a special trip to the Shanghai International Film Festival (赌博app) and held a special "Into Xinjiang" film promotion conference. Filmmakers from Xinjiang Tianshan Film Studio not only introduced many film works showing the great beauty of Xinjiang, such as "Taklimakan’s Drums", "Fade Away Pastoral", and "The Wings of Songs", but also conveyed the happiness and enthusiasm of the people of Xinjiang in the form of singing and dancing.
At the promotion meeting, Gao Huanggang, director of Tianshan Film Studio, introduced the production situation of the studio. In 1959, at the foot of the Tianshan Mountains in the northwestern border of our country, the Urumqi Film Studio was established. In 1979, it resumed the production of feature films and changed its name to Tianshan Film Studio. Over the past sixty years, the Tianshan Film Studio has passed down generations of filmmakers and produced 119 movies, more than 30 documentaries and more than 300 TV series.
Gao Huanggang, director of Tianshan Film Studio
The creation of minority-themed films has always been an indispensable force in the Chinese film family. In recent years, Tianshan Film Studio has always adhered to the path of realistic creation, using genre movies to tell the grand theme of "poverty alleviation" and "national unity", depicting the national policies of "herders' settlement", "green waters and green mountains" in a poetic way of filming movies, using the vigorous song and dance film to sing the spiritual world of contemporary youth "chasing dreams" and "climbing peaks bravely" and presenting the lofty spirit of "true love without boundaries" and "sacrifice and dedication" of heroes and moral models in the form of genre films. Among the films released this time at 赌博app there are many works reflecting contemporary social life in Xinjiang and telling the lively stories of Xinjiang people, which aroused everyone's attention and enthusiastic response.
These films include the film "True Love" based on the "moving Chinese character" Anipa Animahon who adopted 10 orphans from different ethnic groups; and "A Place Where the Dream Begins" based on Xinjiang students studying and living in high school classes in the Mainland; the light comedy film "Pul Dëgen Shundaq Nerse" with the theme of conveying the correct outlook on life; "Taklimakan’s Drums" about the realization of the dance dream of a rural girl; "Fade Away Pastoral" with the theme of Kazakh herdsmen's transition culture, showing Xinjiang’s changes in the past 40 years of reform and opening up; "Kunlun Brothers" with the theme of "National Unity”; and the large-scale youth inspirational song and dance film "Wings of Songs" which was recently released in theaters.
Gao Huanggang said that all the characters and stories in the films were obtained by Xinjiang film workers through learning from the people at the grassroots level, and from life. "In the future film creation, we will also strengthen our understanding of the natural environment, humanistic environment, and cultural richness of Xinjiang, and strive to create more excellent films with excellent ideological and artistic qualities, and show everyone a full, three-dimensional and vivid Xinjiang."
The main creation team of the film "Taklimakan's Drums" also came to the promotion scene. Director Xirzat Yahup and leading performer Zheng Xiaoning shared the creation process and insights of the film. "Taklimakan’s Drums" takes the program of "investigating among the people, benefiting people's livelihood, and gathering people's hearts" carried out by the autonomous region as narrative clues, telling the story of a little girl named Aiyiguli who finally realized the dream of dancing with support of this program.
Director Xirzat Yahup revealed that the main stories and characters in the film have real prototypes. "In recent years, about 70,000 cadres in Xinjiang have been away from their families and went to the countryside to work and live with the local people. They left the cities and their relatives and went to the countryside to build infrastructure for the local people, such as to build canals and roads, to help them. The local people got rid of poverty and became rich. They solved the local people’s difficulties in employment, medical care and education. The people’s lives have been greatly improved, and all aspects of rural society have undergone earth-shaking changes. This kind of selfless dedication to the great cause makes us full of impulse and touch in creation. Therefore, the filming of the film is very smooth, and the performers’ emotions are also very sincere, because the story takes place around us, both real and touching, and all the cast members are deeply impressed and shoot with deep emotions."
Zheng Xiaoning, who grew up on the prairie of Inner Mongolia, has an innate attachment and love to ethnic minority culture. "During the filming of "Taklimakan’s Drums" in Xinjiang, I had a very, very happy time. The food, landscape and the beautiful hearts of Xinjiang people in Xinjiang always cures me. What touches me most is the crew of "Taklimakan’s Drums" is made up of people from multiple nationalities. We work and live together like a family. When there are delicious foods, we share them together, and we overcome difficulties together. And our colleagues in Xinjiang are very humorous, funny and optimistic. The crew encountered a lot of difficulties during the filming, but everyone was able to solve them in a humorous and optimistic way, which made me feel that this filming life was very happy and exciting."
At the end of the event, Gao Huanggang, on behalf of Tianshan Film Studio, offered an invitation to film workers from all over the world, hoping that they could come to Xinjiang and get to know Xinjiang. He said that Xinjiang is not only enchanting in scenery and humanities, but also a treasure land rich in stories. "For thousands of years, brothers and sisters of various nationalities have created different folk customs and different temperaments in different living environments and different cultural backgrounds. We live and prosper each other together, and develop and progress together. In this treasure land, there have been too many exciting and colorful stories. These stories provide us film workers with an inexhaustible source of creation and a treasure trove of themes."